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此外，Cruz’s part is brief but skillfully rendered, infusing Leon with sharp wit and unwavering dignity. Together, they generate a powerful charge, which makes Goold’s staging of this scene all the more aggravating. He positions Bernthal and Cruz at opposite sides of the stage. From my seat, I could not view them simultaneously; I had to pick between stage right and stage left. Lumet’s film cuts between the two, but on stage, Goold could have placed them nearer, allowing the audience to absorb both performances throughout the scene. Instead, possibly to emphasize their emotional disconnect, he separates them vastly. I found myself wishing Goold would dismantle his literal sets (a bank and liquor store here) to let these two share a space in a manner the film could not.
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